Jacket 40 - Late 2010 - Megan Burns: Bernadette Mayer’s.
Bernadette Mayer: Memory. About. Memory is a poetic audio-visual installation, shown now in its entirety for the first time since its original 1972 exhibition. During July 1971, Mayer took one roll of film each day, resulting in 1,116 photographs displayed in a grid. The photographs are accompanied by six hours of audio narration, created by Mayer as she remembers and circularly ruminates on.
A Conversation with Bernadette Mayer Bernadette Mayer is the author of more than two dozen volumes of poetry,. In Lyn Hejinian’s 1985 essay “The Rejection of Closure,” Hejinian quotes Bernadette Mayer: “It’s true, I have always loved projects of all sorts, including say sorting leaves or whatever projects turn out to be, and in poetry I most especially love having time be the.
A Bernadette Mayer Reader by Bernadette Mayer “Truly this is the best How To book I’ve read in years. Bernadette Mayer makes a various world of real people in real times and places, a fact of love and loving use. She has impeccable insight and humor. She is a consummate poet no matter what’s for supper or who eats it. Would that all.
An avant-garde writer associated with the New York School of poets, Bernadette Mayer was born in Brooklyn, New York, and has spent most of her life in New York City. Her collections of poetry include Midwinter Day (1982, 1999), A Bernadette Mayer Reader (1992), The Desire of Mothers to Please Others in Letters (1994), Another Smashed Pinecone (1998), and Poetry State Forest (2008).
Bernadette Mayer’s Sonnets is a landmark collection, central to her mammoth oeuvre, whose reverberations continue to be felt in the contemporary generation of poets. Eschewing the epic accounts, full of miniscule detail, that result in texts of massive length—as found in the tremendously successful long poem Midwinter Day or prose of Studying Hunger Journals—Mayer’s volume of Sonnets.
Bernadette Mayer, Memory, 1972 (2017 reinstallation). Image courtesy of CANADA, LLC. Image courtesy of CANADA, LLC. In July 1971, poet Bernadette Mayer set out to complete what she called an “emotional science project” by setting a set of constraints for herself: to shoot one roll of Kodachrome film on a 35mm camera each day of the month while simultaneously keeping a set of journals.
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